This is a little thing I did when I got stuck on a male character in one of my novels. I wanted to know more about Charles so I did a freewriting session to see what I could learn about him. It worked.
Sketching the Male Protagonist
Charles, like pudding, loose and soft, his shape never molding, he walks the frames of each scene like blue wash background. No stiff poke, no grit, no getty-up. The tender, perfect boy who slips into the back desk in the classroom and listens, never asking questions, never offering opinion, sprung from nothing into nothing, a cartoon without color or feature, no secrets, no sins, no sinister bottom note to the perfect top.
What could I add to this poor pasty man whose life unfolds around him in passive acquiescence? What would wake him up? What does he fear? He fears fire, he fears loss, he fears being left again among the living, he blames himself for mom and dad’s grief, and his little brother’s death. It was a spark, only a spark, a smoldering error never extinguished, never put out, still burning in his soul.
I like it, the helpless go along has a reason to not make waves, not engage, fully. Not worthy to have the care of innocents, the child beneath his roof, mustn’t father, mustn’t love. It deepens the man, puts the boy back in his soul. No, he is not pudding, but water and charred wood and a long stretch of scar tissue on the upper arm that failed to pull the little brother out through the window of his parent’s farmhouse. His fault. His secret. His torment.
How did the fire start?
Stupid, stupid, stupid, everybody knows model glue is flammable. Charles, seven years old, his brother younger, hidden in the tiny back closet assembling the model of a wooden ship to sail on great oceans. They work for hours, until dark, until little brother says guess I’ll light a candle so we can see what we are doing. And Charles, preoccupied, not hearing the little brother, steps out for just a minute, just one short, sixty second minutes and then whoosh, the world bursts into flame. Oh my god, oh my god, for the rest of his life he hears that oh my god scream from his own lips, and from the lips of little brother before he died.
Charles built the boat that carried his little brother across the sea to the other realms.
The punishment? To never be happy, never cover the scar, never wear long sleeves, or care for children. Again and again he turns from what will make him happy, from Rose, his pretty woman, from her children and the children they would have together that would make him whole.
Ah, this leads smoothly to the forest fire in my story, to the sacred ring where all children are kept safe by magic and grace. Now Charles must face his fear at last or lose them all, lose his own soul.
Later, after Charles has passed the test, little Emily, precious psychic child, sees the younger brother laughing and playing. She tells Charles he need not torture himself–little brother lives in a splendid castle on the other side.
Charles looks different to me now. I find an empathy with his heart, with his suffering as he finds his true place upon the page. He attracts me, awakens my healing heart that wants to smooth the scars along his arm. Now, he is ready for Rose. Now we can discover how the man with the heavy burden meets the magical woman under a Tucson sun. He will resist, sure, and move toward and away again and again, but oh, love is strong, and the pull of destiny is even stronger. Now the high tides in the blood ruled by the moon will move them. And he will lose the fight. And he will love her. And he will heal and learn to trust again that the world is a good place–even when it isn’t.
That’s the man I was looking for.