Archive for the 'Writing' Category

Thanks to the person in Montreal, Canada. Not fiction–but truth.

The story, West Toward Berkley, is an autobiographical story about the principal in my high school.  The man was literally “bigger than life” and he inspired me and moved me and contributed to who I am today.  It is very gratifying to hear from readers who read my bits and pieces and recognize the truth of them.  In truth, his name was Red Benson.  I so honor this man for what he taught me and I hope others will see my post on this great man. 

True confessions.  Every word of this story was true.

 

Jamie Lee

West Toward Berkley, a short story

 Jackie wanted someone to admire, someone wise and noble with qualities she could refashion like fine strands of silver and wear around her neck.  She lived on a reservation in northern Minnesota in the second poorest county in the nation and worked in a twenty-four hour restaurant/bus stop that served up lumpy potatoes with thick gravy to tourists and hot chili late at night to men who lined up at the counter and slurred their words and smudged chili over the counter-tops like children with finger-paints.  Only it was a greasy, reddish paint, a war paint, a paint that stained and smelled and made Jackie’s stomach uneasy. 

Sometimes, while walking home near midnight, she would stare down the deserted grubby main street and compose poetry in her mind.  She kicked at old wine bottles and crushed paper cups.

 Yellow trashcan

Tipped disconsolately

Disgorges its wealth

Upon the empty street. 

 

She stared up at the sky trying to see past the town, past the reservation, past the confines of her own seventeen years.  Milk white lamps stood useless sentry in rows along the avenue.  And when she couldn’t get past the weak glow of street lamps to the dark wide sky beyond, she tried instead to open her belly and let the sky come to her. 

 

Lifeless neon

Calls to no one

No one answer. 

 

Something was blowing up inside of her, a mass or a tumor of emotion that needed to be bled off or poured into something worthy.  It made her silent and watchful.  It made her want to finger the faces of the townsfolk, to crawl behind their eyes into complex optic networks and explore neural catacombs and pathways.  She listened, wanting to reach past greasy insides to feel a heart.  Was it pumping?  Throbbing?  Alive? 

She went to school, went to work, went home.  She went to parties and pretended to join tribal dances around beer kegs on deserted beaches where young warriors honored the sky with thin sticks of marijuana and peace pipes full of hashish.  Even here she tried, working hard, to learn the mathematics of human existence. 

But it never added up.  Not in the early seventies.  Vietnam, the American Indian Movement, drugs, education, parents, values–do what I say and not what I do.  Finally she chicken-scratched with a dark lead pencil every wrong answer and found only that she had no respect.  None. Finally, bloated and thick with anger and not understanding, she became a child activist showing up at city council meetings, racial forums, writing pieces for the school paper, speaking loud and out and waiting to see what happened.  Nobody paid much attention to a noisy child who partied and worked in a greasy spoon–except Smith.  Smith noticed.

Smith was a huge man, a giant of a man and the principle of Jackie’s high school.  “Smith” was his first name.  He was a white man with a gray fuzzy tangle of hair on his head and shoulders so broad they carried the whole school, teachers and students alike.  Smith didn’t mess around.  It was not unusual to see him strolling the halls of the high school with a smirk on his face as if he wished a fight would start so he could stop it.  And when a fight did start the huge bear of a man would grab a squirming ninth or tenth grader in each hand and hold them inches above the floor against the cold metal lockers and demand, “What is the problem here?  Is there a problem?”  The boys would shake their heads wildly, their feet dangling like horse-thieves beneath a rope.  The truth was, none of the kids wanted to risk attracting Smith’s attention.  Normally he was as gentle as a mamma bear with her cubs; playful, pawing, teasing, making even the poor reservation town a den of safety.  And he didn’t watch just the tough kids having tough times–he watched them all.  He watched Jackie. 

Of course there was much about Jackie that he saw but did not understand.  For instance, he didn’t know that the year before Jackie had decided to quit crying.  And since making that decision, she had only cried once.  Last September. 

True, it was a hard, sucking avalanche cry that took her breath and buried her momentarily.  Grandma Clara had a stroke and Jackie’s mom sent her to wait for the ambulance.  Something about seeing her great, huge grandmother’s form so still and helpless on the floor caught Jackie in the middle like a hard punch.  Clara, who grew bright finger carrots and let the kids pull them from the stubborn dark soil and wash them under the outdoors faucet, sweet and good.  Clara, who played 31 like a master, gathering grandchildren’s dimes in a neat pile with hands delicate and bluish and then, at the last minute, would go soft-hearted and give the dimes back.  Or Clara, who fingered holy beads with a whisper, her lips moving in long lines of Hail Mary, Mother of God.  Jackie did cry then.  When Clara hit the floor.  But that was the last time she cried.  

Not even when she visited Clara and hated the nursing home with its acrid smell and Clara, so thin now, would move the lifeless left arm by a bony wrist with the hand that still worked and lean over toward Jackie with a sagging mouth and ask, why?  Why has God done this to me?  Why?  Please tell me.  And Jackie had nothing to say about nothing and only made herself more determined to find out why, God.  Why? 

After that she also quit going to confession and stood firm like a warrior in spite of glaring looks as the congregation shuffled up to receive the body and blood of Christ every Sunday morning.  Confession, like tears, did nothing, as far as Jackie could tell.  Smith did not hear her swear silently that no more would she kneel to a God that had no ears or let the holy mass swirl around her like stinging hornets of fear and retribution.  These were the decisions she made as she scanned the world for what meant something. 

It was painful to be awakening and impotent at the same critical moment.  Idealism, wishful thinking, raced through Jackie like strong medicine and it didn’t seem fair that with the world marching on campuses, on the steps of the Whitehouse, in Georgia–she was trapped shuffling from typing to world history, mute and acquiescent.  So when students began donning black armbands and protesting Kent State, it was time.  She enlisted two friends, Dee and Wayne, and together they bought rolls of black crepe paper and typed up notices and snuck into the paper staff room and mimeographed half-page notices and wandered the halls slipping them to students both Indian and white.  It felt right, to do something.  Anything.   WE CANNOT LET THEM KILL US! Screamed the half sheet of paper, declaring that on Tuesday, at 2:00, the students were to rise from their desks, don the black arm band and leave the school to sit on the front lawn in protest of the police action at Kent State. 

It was important, she believed.  It was essential, she believed.  It was about speaking out, being heard, showing concern.  Probably everybody believed as she did, thought Jackie.  Probably the ones that really cared were just shy or uncertain.  Probably the 23 kids that showed up on the school lawn at 2:00 really did care about more than a lark on the lawn, a chance to dump last hour. 

And probably it was not apathy, but some heavier layer of belief, that made 20 of them scuttle back into the school the minute Smith stood on the steps and said “Git to class” in that big voice of his.  And maybe there was a reason that Smith dismissed Dee and Wayne with a glance and stood so long on the steps looking at Jackie like he was wondering what to do next and finally just said quietly, “When you are done, please come and see me in my office.” 

And when she sat in front of Smith’s desk with him towering over the whole room with its stacked desk, sagging bookshelves and a window that looked west toward Berkeley, it seemed to Jackie that his face was the center of a Mandela of high school talismans and she waited.  Unafraid.  She was prepared to pay a price for what she believed.

But she wasn’t prepared for Smith’s deep warm chuckle sprinkling out over her like warm rain and a voice as soft and tender as the wind in trees.  In fact, she would rather he picked her up and dangle her from a locker somewhere in a glossy hallway and not just sit there.  Silent.  Looking her in the eye as if she were his equal.  Respecting.  Her.  For that she was not prepared.  And the words that followed scattered her elementary mathematics like torn pages tossed.  “Why didn’t you come to me?” he said.  “I didn’t know you felt so strongly about the students of Kent State.” he said.  “I would have helped you.”  And what he said next was like driving little dry sticks and pebbles down her throat because she knew he spoke the truth.  “Those others don’t care.  Don’t you see that?  They just wanted to skip out of school.  They don’t care, Jackie.  Do you understand?”

And she did understand but she didn’t want to understand and suddenly Jackie didn’t know then where she belonged because Smith did care.  That was what really struck her.  He did care.  And he was a big giant of a man and old, and she was a young wisp of a girl and intense and they sat across from one another and talked for a long, long time after school on Tuesday and when she left a strange, shaky feeling had formed in her middle and it may have been sadness or youth leaving or simply knowing she didn’t know anymore.

Two years later she was in college and heard about Smith’s stroke and that things had turned to shit at school.  The police spent noon hours walking the halls of the high school and the little man who had taken Smith’s place stayed in his office and tried to manage things from there.  Jackie went to the nursing home and found Smith in the physical therapy room doing rope exercises and he was still a big giant of a man in spite of the wheelchair and loss of speech.

When he saw Jackie his eyes twinkled and he would have chuckled that deep chuckle if he could have but instead he just raised a big trembling paw in her direction and she walked across the room and held the hand of a giant.  It was still a big, strong, honest hand in spite of the stroke and she was glad to hold it in both of her smaller hands.  She knew he could still hear and understand but that he wouldn’t be able to speak so she talked long in the safety of his silence.  There were things she wanted to tell him–things she wanted to tell herself.  That she had it figured out, that it made sense now, that she deserved his respect, but she was speechless, thoughtless, about these things.  Instead she talked about college, the snow on Diamond Point, how she liked to park her car on Lake Bemidji and walk to class and how many other campuses could boast a parking lot of ice?  But all the unspoken things gathered in her throat and stuck there and when she left there were only a few hard, river-rock tears that she wiped on her sleeve like a kid.

 

 

Slash and Burn

Tonight, I write for me. Maybe I’ll post this and maybe I won’t. I feel like there are two parts of myself at war. One has spent her life striving and reaching, dreaming and writing, having and doing–and the other simply wants to be outside playing in the sun with a breeze on her face. This summer has brought the war to the front of my life.

Spending nearly a month in that little open meadow (our land) and sleeping in our tiny camper with just enough dishes and pots and pans to prepare a nice meal has made me ask big questions. I don’t think I have asked these questions for a long time. What does it mean to be a human being? Is it what we do? Is it a state of being? When we are given a human life are we automatically expected to pay for that life with service and action?

I feel deeply confused. I think back over the many decades of my life, the thousands of hours I have worked to help others realize their greatest potential, and wonder what exactly is my greatest potential? If every day feels like I am just stretching for something just outside of my reach, then am I robbing myself of this moment, this day, this rich experience?

A part of me knows deep within that it is time to let go of all of that striving and reaching, but it scares the hell out of me. I don’t know what it would be like to simply be me, living in my skin, doing each day as if it were my only day. It scares me, but I want it. I am so tired of wanting something that is not here and now. I sense that the here and now is rich beyond compare, but something constantly urges me on.

Today I drove into the hills in search of chokecherries or raspberries. There were a million other things calling out to me: get ready for school, do the laundry, clean the studio, finish clearing up after the yard sale, take care of the beans and apples I picked yesterday.

No. I don’t want to do any of it. I want to be outside on this glorious day swatting mosquitoes and flies, wandering over rocky ground. I left the house at 10:00 and headed up into the hills. I picked raspberries (about a quart). I was gone over three hours and ended my jaunt by dropping into a deep pool along Rapid Creek. Milt joined me and we swam and played. It was so icy cold that my fingers were numb within minutes. When I got home I looked at all that needed to be done and, instead of doing any of it, I dropped into bed and slept for a couple of wonderful hours.

This gypsy self that emerges in my writing, who constantly dumps all that is meaningless in her life, who seeks simple, who loves the earth, she is calling my name right now. What would it be like to ignore the demanding one with her lists and plans, her aspirations and gasping, grasping, reaching out? I think I will not be happy until I find out what that life would be like. Three weeks was not enough—not nearly enough.

So, how does I go about deconstructing a life that took three decades to construct?

I have already begun. I think it is easier than I think, but I can’t get there by pushing my soul aside and working until I drop every day in the hopes that I will “get there”. That sounds way too familiar. It is what I have done. At the same time I can’t simply let the laundry pile up and the “stuff” move in its mysterious migration around my house. It requires a decisive move. It requires choosing it.

I remember the fall when Lisa was conceived. Wayne (my first husband) had gone to treatment and demanded that I go, too. I was scheduled to start my residency as a counselor at a local mental health agency. When Wayne made his demand, it shocked me so much that I went to treatment instead of leaving him behind. That decision changed my life. In treatment I had to come to terms with how I had filled my life up—and what I really wanted. I laugh now when I think about it. I was in school, was mothering a small child, had this residency set up, was teaching aerobic dance in my own business and still had the Red Apple preschool running. I was completely schizophrenic—running in all directions. While I was in treatment, I SAW what I had become. A crazy person. I prayed to my higher power to remove all that did not belong in my life—and leave only what was real behind.

That old adage—be careful what you pray for. Three months later Wayne had lost his job and we were making plans to move to Phoenix, AZ. I quit school, closed my businesses, ended my residency—and discovered I was pregnant. By the turn of the New Year, it had all gone away and I entered a peaceful, quiet time that altered the course of my life once again. We didn’t move—not physically—but everything changed.

Another cycle is ending. I can feel it. I want to be open to what it has to offer me. I want another peaceful, quiet time so that I can see what wants to enter my life now. And what wants to leave it. My urge is to get back in the car and drive north and move back into my $250 camper and wait until the snow flies and I have to do something else to keep warm. It is a powerful urge but instead I am here in Rapid City, SD having just finished a third yard sale for the summer and back on the payroll at school.

While we were up on the land, I had a slight obsession with clearing the many slash piles from the small area around our camper. I hauled wood, flicked off the woodticks, and burned a lot of wood. I guess the obsession has moved back with me, only now it is piles of paper, material goods (too much), and clearing my “land” so that I can get to the simple life I am longing for.

Slash and burn.

As for the fear of what will enter the empty space I am creating—we will have to wait and see what happens. Will I still want to write and teach? Will my garden grow bigger? What will it be?

One thing I know for sure. There is no satisfaction in constantly reaching. My satisfaction is here. There is no one who has been so richly blessed as I have been. Every day I am grateful for the children and grandchildren I have, for my husband, for my abundant brothers and sisters, for the land we bought, for the berries I picked, for the sun and wind and water and earth . . .

Gratitude is a good beginning, I think. Maybe I’ll start there.

Jamie

It is so strange. I started out just wanting to sort my feelings out tonight, but at some point it became a “post”. This blog is the only real writing I’ve done for over three months. I’ve decided not to force myself to write (a part of my deconstruction process) unless my soul agreed. I so love the stories and the mini love affairs that each one brings, and I think I will return to it, but I can’t be sure. I don’t want my writing to be only about whether I find a publisher or not. I’ve even wondered whether I stopped writing because I signed with an agent and became a “real” writer. Tonight Milt and I started watching the odd movie about Bob Dylan (the one where lots of characters play Dylan) and I was wondering what Dylan thinks of this movie. Maybe he was just a guy who wanted to make music, who had a song in his heart and a spirit that demanded he sing it. Maybe he never really wanted to be “Dylan”.

I need to ask myself this question. Am I simply a storyteller who loves to play with creation but finds the aftermath burdensome? It is like playing in water—we never expect playing in water to have an end result. Who the hell cares? We are just playing in water. Creation is like that. Why does what we create have to “do” something like pay the bills, build a readership, form a career? Milt loves playing with the short posts on his video blog. Every time he picks up the camera he is just playing in water.

I think we are both tired of trying to force our creations to pay the bills and buy crap that we don’t even want. We want to play in water. Period. There may be no other solution for us but to cut costs (slash and burn) and go to the lake.

Maybe what I will begin doing is just forget about having a “career” as a writer and start putting more of my stuff here. It is being read—or it is not. Who cares? Never mind that once it goes on the web it is no longer the precious, virgin manuscript that a publisher may want. It does my soul no good to create and then leave it languishing in a computer file or paper file in some migrant pile. It also does my soul no good to feel like I have to devote a decade to a book in the hopes that some east coast god will find it worthy.

It actually feels like I have cut through the first layer of my malaise. If I start dumping hundreds of pages into this “blog”, you will know what happened.

The Homestead

Tonight the moon was almost full and shining red through the pines on the bit of earth in Northern Minnesota that we have recently tagged “our land” (although I still doubt that anybody can actually “own” such a thing).  We have been here for one week and the magical flow we discovered from the moment we decided to buy into these twenty acres continues. 

On our way out from Rapid City, SD, Milt and I were coming to terms with the fact that we probably would not have the expertise or resources to actually begin building our strawbale house.  On Tuesday we considered finding a camper or something more substantial than a tent to live in while we prepare our project.  On Wednesday we found two potential old campers, made an offer on one, hooked it to my brother’s truck, and pulled it to our homestead.  It is a 1966 Trailblazer and we bought it for $250.  By Thursday we had cleaned it, repaired some leaks, blocked it, and generally made it livable.  Now, a week later, we are sleeping like babies in our cozy bed and listening to all the night sounds with the breezes blowing across our faces.  Of course, we also do nightly mosquito checks to make sure none of the friendly (hungry) little buggers have followed us in the door.  

They have completely torn up the main street of Cass Lake.  Evidently the town received a major “Miracle” grant and is trying to bring itself back to life.  The main street will now be paved with bricks that, hopefully, will attract new businesses and energy.  I walked around down there today thinking about how busy it was when I went to high school here-two drug stores, three grocery stores, several bars, Two Traders, and the Five and Dime.  Now-not much. 

Not since I graduated from college and moved to SD (in 1977) have I spent this much time here.  I am feeling strange and adrift, as if my main street had been torn up and something new was about to replace it.  I am just not sure what.  Our small 8 x 18 foot trailer requires that we choose carefully what we “want” and then keep it in its right space.  The land makes me breathe more fully in a way that I haven’t in many years.  A few days ago I discovered one of the most beautiful wild blueberry patches I’ve ever seen-and it is right on our land.  The plants are loaded with green berries that begin to blush toward blue.  I go now every day to see how they are progressing and feel confident they will be ripe for me to pick before I have to leave.

All of this is making me feel oddly alive and young.  It makes me wonder what it was I was trying to accomplish-push, push, push.  Sometimes I have tried so hard to be “something” that I just forgot to “be”.

 Now I just want to be.

 So far this is the first writing I have done since we got here.  We were busy carving a small space for ourselves, nudging Mother Nature over just a bit.  Tonight was the first night I felt that peculiar itch I get to put words on paper (or my computer).  I am curious to see if I can find a new rhythm of writing AND being as we are here over the next two weeks.  We did set up to do The Bead People at the annual Rib Fest this weekend so that should be fun.  

 It has also been many years since I have lived close to so many family members again.  They keep popping in and out and bringing many gifts.  When I woke up this morning there was a small round table outside the trailer.  I didn’t see it but evidently my nephew, Ryan, found it at the recycling place and thought we might be able to use it.  He wrote his name with sticks to let us know he had left it.  And then tonight when I returned home from doing some other stuff, there was a bucket of newly-dug raspberry bushes beside my trailer-and a new metal plate replacing the hole in the floor near my front door.  Last night we were ferried over the lake by one brother so we could join another brother on Star Island while he tried out their new Snuba gear.  Snuba is a combination of snorkeling and scuba-a generator on a floating tire, two 40-foot hoses, mouth breathing gear and weights to help you explore the underwater world.  

 So, I am surrounded by gifts both from the earth and from family and friends.  Could it be that as I seek a simpler life, it will get richer in many other ways?  Probably.  I would certainly like to find out. 

 What a life.  And by the way, my 24 blueberry plants seem to be thriving and establishing new roots-just like us.  I think it will be hard to leave in two weeks and the only thing I will miss are a few trillion ticks and mosquitoes.

 More on our adventures to follow . . .

 Jamie   

 

 

 

 

Coming Home Again

We just got home from Washington D.C.  We went for the Silver Docs film festival in Maryland and Milt went to lots of movies and I wandered the city and played with beads.  It is good to be home again–always.

This morning I was searching the web for some information on another person who is doing video letters from prisoners to their children at home–very cool.  Anyway, I came across a blog called “Writing the Line Between Heaven and Earth” and I recognized that as one of my own titles.  I stopped and clicked onto the blog and it WAS one of my own titles.  I had completely forgotten that I tried to start a blog almost exactly a year ago (the only post on there was July 17).  It made me wonder how many other remnants of myself are floating around out there in cyber space.  It is like outer space where all these tests and trials have been jettisoned into space and never brought home so they just . . . float.

Who cleans up the web?  A question.

I am sitting at my kitchen table and the smell of the white peonies I cut yesterday is almost overwhelming.  I shook the ants off and put them in a blue vase for my mom and dad.  Peonies were the flowers they had at their wedding.  In my family, June 18th is a significant date:  the date my parents married, the date they had their first child, and the date which marked my father’s death.  In the year that he died, it was also Father’s Day and he died with all eight of his children and our mother in a circle around him.  I think just in his honors that I will post a small piece I did called “My Father’s Hands”. 

 

My Father’s Hands

 In last night’s dream my father gave me a tiny bag with trails of heart-shaped beads wandering the pale cloth.  Something in my soul wants to finger the tiny heart-shaped beads wondering what he meant by this gift.  Did he mean follow this little trail, my darling girl, and you shall carry anything that comes after with ease. 

So many books are about mothers and daughters, fathers and sons, but what of the daughter caught by a golden thread to her father’s soul?  What of that child? 

I am a grown woman, a grandmother now, who looks down at her own stubby fingers one day and sees her father’s hands.  They are not the hands of a piano player or a dancer but the sturdy hands of labor, of getting things done, of endurance and strength.  I remember his hands in one scene and then another; tying myskates in winter, sketching the walls of his new house or solving an intricate problem on paper as if each knubby fingertip had its very own brain and only when his hands moved could he think. 

I remember the warmth and strength of his hands as he kneaded the calves of my legs late in the night when growing pains hurt bad enough to wake me up crying.  I see his hands holding cards in a favorite game of whist or bridge or gently patting the shoulder of a friend he met on the street.  I see his two hands on a steering wheel driving to grandma’s house or holding the very edges of the Sunday paper after church, a plate of powdered donuts hidden on the other side of the news.  I smile and remember the way my father’s hands would pick up myneedlepoint project and run the yarn through six rows, tugging just a little too tightly so that Icould always see in the tapestry of the finished work his rows beside my own.

I see his hands holding the Louis La’Mour book late in the evening, letting go only to take a sip of the beer warming on the side table; his hands building two houses to shelter those he loved most, his hands fashioning the ugliest boat ever out of wood and plank, his hands turning wood, twisting metal, picking berries and then building a special screen to roll the berries down gently to clean them.

I see his hands playfully slapping my mother’s backside or holding her against the fridge to steal a kiss, and his hands wielding the razor that plowed a smooth path through his lathered chin and me, sitting on the closed lid of the pot, waiting for the moment when he would turn and growl and try to kiss my cheek like  a rabid dog.  I would squeal and run out of the bathroom giggling. 

All of this I see in an instant when I looked down and saw my own small, square hands, so sturdy and strong. 

And she see his hands, swollen and bruised, a blueberry stain on the back where the IV had kept him alive for three more minutes, five more minutes, and then that last and final breath, of death.  And he was gone, living on in the short fingers of my own hands that crack in the winter . . . just like his did. 

 

Farmer John and Candide

We are home again and I am scrambling to get my home garden in.  We shot a lot of footage and Milt is producing something he calls “The Blueberry Chronicles”.  You can see them at http://www.hollowbonefilms.com  He is having some fun with it. 

I have a cold and am not good company tonight so I’ll skip out and put in a bit of fiction instead.  I like the beginning of this odd series I started that is my version of “Candide” and “Siddhartha” combined.  I’ll let you figure that one out.

 

Evida
Or How a Forest Girl Discovers the World

Evida Takes a Walk and Finds Herself Separate 
There could be no better place on earth than this the young girl thought as she stepped her toes into the muddy edge of the pool of water to catch a closer look at the water spiders skimming the clouded surface.  She was in a small clearing carved out by road workers who had taken the red soil for their road-like purposes and left behind the moon.   The clearing was dotted with rough craters that were filled with water and each pool birthed a new universe teaming with tadpoles, water spiders, bugs, birds feeding, and scruffy grasses poking up among the reddish mounds. 

She was eight years old the summer she awoke from childhood to find her self encased in a wrapper of skin that separated her from this beloved world.   Up until that moment, it had not occurred to her that she was separate. 

Evida lived along the northern edge of the nation in what she simply called Blueberry Country in honor of the low bush berries that filled her forest.  No one else ever came to this small, scarred piece of earth but Evida, and she came daily that spring to watch the transformation between winter and spring.  It was, in truth, a muddy mess, but she loved it.  She ran along the plowed ridges that separated one small pool from another so often that her bare feet padded and packed the sand as if it were an ancient road carrying tribal inhabitants across the Bering Strait. 

Life was good.

Down the road her parents had built a house that sheltered Evida and her five brothers and sisters in a cocoon of warmth and safety.  That her dad had tried to defy Mother Nature and built his house in a swamp seemed not to matter to them.  When the ditches filled with murky water, Evida and the other kids leaned over the edge to see the wigglers that bred there by the millions and would soon turn into mosquitoes.  It was a small price to pay for paradise–a few hundred red, itchy welts and the little screamers buzzing them to sleep each night.

Evida couldn’t figure out what was different this spring, different from all the others she had endured in her full eight years.  Something had changed.  The color of a single green leaf bud opening on a twig belonging to the larger tree pierced her eyes almost painfully.  The dry grasses of last year, as they gave way to the newer shoots poking up from some mysterious earth ethos, seemed to say reassuringly, “We go gratefully, never mind.  We’ve had our season.” 

Wind, sun, birds, the tiniest flowers, all spoke to her in a language once incomprehensible, but now understood clearly as if by magic.  Going to sleep each night was almost a burden, that she must close her eyes to such beauty for the dimmer world of sleep and dreams. 

She took to speaking aloud, only when alone of course, to the many offerings of nature.  I love you, little bird.  I love you tiny clover.  I love you big mamma tree.  I love you creepy little spider on my hand. 

What had caused such an awakening?  She didn’t know, couldn’t understand.  Perhaps an old bearded philosopher standing beneath a tree watching her from his invisible vantage point would nod knowingly and whisper, “Ah, she now feels her self separate from.”  It didn’t matter to Evida.  In truth, there wasn’t a bearded old one to explain that where once she was simply a part of nature, like trees and grass, now she saw her self as occupying a human body. No, she simply drank the realization in, letting it fill her soul and spirit with such rich nectar that by noon she was drunk, intoxicated and asleep on the grass. 

When she opened her eyes again there was a blue-silk sky wrapping her like a sari.  It was exotic, foreign, scented with the spice of Mother Nature’s unique perfume.  When she stood again and stretched her arms to touch the blue silk, she glanced down and saw the imprint of her own small body in the grass.  She felt just the slightest shiver of what could be fear or foreboding, a wisp of warning of things to come, but she tossed her blonde hair and walked off.

Thirty years later, she would return to this same spot, now an overgrown piece of the forest once again, desperate to find the slightest indentation she had left on Mother Earth. 

Walking back into her Mother’s house in her newly found eight-year-old body was like finding an alternate universe with an entirely different set of shapes, forms, tastes and smells, and its own moon and sun.  The blue silk sari dissolved like a thin skin of ice beneath the heat of this new sun, and the blue was replaced with the gray garb of an ordinary peasant

“Where have you been, Evida?  Lunch was over an hour ago and little Johnny has a dirty diaper and Rocky has a fever and and and and . . . .”

Evida stood for a moment, stunned and shrinking rapidly as all the wide thought-forms fled the little house where her parents ate and slept and were raising six children like raising chickens in a wire coop.

“Yes, Mamma.”  She said.  “I’m here now.”

Here.  Now.  The rest would simply have to wait out there in the wilderness for her return.  Evida turned her attention once again to the business of being eight, third girl in a family of six.  It was okay, this life in this house.  She helped her oldest sister, Kay, fold clothes and roll socks.  She helped her next oldest sister Ann change little Scott.  Ann and Evida got the giggles when Ann removed the nasty diaper and jokingly pointed to his tiny penis and said “Ready…aim…fire.” only to have the little squirt–squirt.  Ann panicked and threw the new diaper over the warm stream, and then had to use a third diaper to have the baby officially and legally changed.  

Kay, Ann, Evida, William, Joseph, and Scott had checked into the family in polite two-year intervals ranging from ages twelve to two.  If you added their ages together it came to forty-two and Evida couldn’t begin to imagine herself at forty-two.  She tried it once, but it was unfathomable. 

All in all, it was a pleasant family to find one self suddenly occupying. 

 

 

creative, generative, colorful, exciting, zesty, juicy, visionary, joyful plans

Tonight I realized that a single comment from a reader motivates me to continue writing in this “virtual” kitchen.  That is how I think of it.  You and I have just sat down with a cup of coffee or tea and we get to talk together about life.  Anyway, thanks for writing Renee. 

 I have been in such a mind tornado lately, trying to make good decisions about the future, trying to see INTO the future.  It doesn’t work for me.  One of the things I’ve learned over the years is that my body is a better director than my mind.  The other day I just got tired of thinking and so I re-entered the novel I began last summer but never got back to after school started.  It is called “Still Mountain” and is placed in the same world as an earlier novel called “Silver”.  Still Mountain is the center and the source of all stories.  My characters are all caught in a story world, in a world where stories come alive.

I think about what the yogis say about Shiva.  Shiva opens his eyes and the world springs into existence-Shiva closes his eyes and it is gone.  As soon as I opened my notebook and re-entered my earlier story, all else disappeared from view.  I love that feeling.   My life is good and I wouldn’t change anything, but the story world is . . . wow.

This past week has been so sweet.  The other day a Lakota woman, my Elder, suggested that I should write a book about me.  I laughed a little and said there is nothing special about me or my life.  She said, “But you give us so much.  You make it okay for us to open.”  Then she explained that trusting a white person is difficult-but not with me.  She almost made me cry.  I hugged her and told her she had just given me a great gift.  I never, ever want to see color first and the human heart second.  She confirmed for me that I am seeing correctly.

Then this morning Milt and I did another Bead People session at the 9th Grade Academy.  The students there are doing a special give-away at the end of the year-everybody in the school and all supporters will get a Bead Person and the little Wind book.  What is so stunning to me is that these students have been placed in this school because they struggle in the mainstream educational system, but you should see them with the beads.  I set out large trays of beads and give them wire and tools and it is like a reverse cyclone.  All the dispersed energy of the room pulls itself toward the center and . . . the hands are busy building Bead People.  I guess that is one reason I love building the Bead People myself.  It forces me to leave my head and get into my hands and body.  If you are not familiar with this project, check out www.thebeadpeople.org on the web.  You may even have to try it.

I am a bit all over the map tonight but it feels good.  I have just a few more tests to give and then we have potluck good-byes (a tradition for final classes at OLC).  Then I am free for the summer.  Naturally, I have a list as long as my arm of things I want to do but number one is to get back to writing practice.  Nothing can happen in storyland unless I put pen to paper and see what will emerge.  Some writers plot things out ahead of time and make intricate outlines.  Me?  I walk out onto the diving board . . . a take a plunge. 

And oh, I am ready for a plunge.  The deeper the waters, the better. 

I hope you are all entering this fine spring with your own creative, generative, colorful, exciting, zesty, juicy, visionary, joyful plans.  Just set the hum drum aside for a few hours a day and enter the new land and see what might emerge. 

Goodnight my friends.

Jamie

 

 

 

 

Sketching the Male Protagonist

So often when I present programs people or students will ask, “Where do ideas come from?” For me, that is part of the magic of writing. I never actually know where anything is going to come from until I am in the middle of it. The post tonight is a bit of wild mind writing I did while trying to learn more about the male protagonist in one of my stories several years ago. (A Good Soft Blanket) I like it because it shows the total organic emergence of a character. I had no idea that this was part of Charles’ history until I scribbled these words. You’ll see what I mean . . .

Sketching the Male Protagonist

Charles. He is like pudding, loose and soft, his shape never molding. He walks the frames of each scene like bluewash background; no stiff poke, no grit, no getty-up. He is the tender, perfect boy who slips into the back desk in the classroom and listens, never asking questions, never offering opinion, sprung from nothing into nothing. He is a cartoon without color or feature, with no secrets, no sins and no sinister bottom note to the perfect top.

What can I add to this poor pasty man whose life unfolds around him in passive acquiescence? What will wake him up? What does he fear?

He fears fire. He fears loss. He fears being left once again among the living. Charles blames himself for mom and dad’s grief–and his little brother’s death. It was a spark, only a spark–a smoldering error never extinguished, never put out, still burning in his soul.

I like it, the helpless go-along has a reason to not make waves, not engage fully, not be worthy to have the care of innocents or father a child or love a child.

Yes, this deepens the man–puts the boy back in his soul. No, Charles is not pudding but water and charred wood and a long stretch of scar tissue on the upper arm that failed to pull the little brother out through the window of his parent’s burning farmhouse. His fault. His secret. His torment.

How did the fire start?

Stupid, stupid, stupid. Everybody knows that model glue is flammable. Charles, seven years old, and his younger brother hide in a tiny back closet assembling the model ship with secret plans to sail on great oceans. They work for hours—until dark—until little brother says, “I’ll light a candle so we can see what we are doing.”

And Charles, preoccupied, not hearing the little brother, steps out for just a minute–just one short, sixty-second god-damn minute and then whoosh, the world bursts into flame.

Oh my god, oh my god–for the rest of his life he hears that oh my god scream from his own lips and from the lips of his little brother before he died.

Yes. Charles built the boat that carried his little brother across the sea to the other realm. And the punishment? To never be happy, never cover the scar, never wear long sleeves or care for children. Again and again he turns from what will make him happy, from Rose (his pretty woman) and from her children and the children they could have together.

Ah, this leads smoothly to the forest fire in my story–to the sacred ring where all children are kept safe by magic and grace. Now, at last, Charles must face his fear or lose them all—and his own soul as well.

Later, after Charles has passed the test, little Emily, precious psychic child, sees the younger brother laughing and playing and she tells Charles he need not torture himself–little brother lives in a splendid castle on the other side.

Charles looks different to me now. Finally I find an empathy with his heart, with his suffering as he finds his true place upon the page. He attracts me, awakens my healing heart that wants to smooth the scars along his arm. Now, he is ready for Rose. Now we can discover how a man with the heavy burden meets a magical woman under a Tucson sun.

He will resist, of course, and move toward and away again and again but, oh the love is strong and the pull of destiny even stronger. Now the high tides in the blood ruled by the moon will move them. He will lose the fight and he will love her. And he will learn to trust again that the world is a good place–even when it isn’t.

. . . that’s the man I was looking for.

If you like the stories and bits and pieces I am posting on my blog, please forward it to others and invite them in to check it out. My goal is to widen my readership over the next year and you can help. Thanks.

Jamie Lee

The Muse in Black

 In a few days I travel again to Lincoln, NE to meet yet another new grandchild.  Today is my Lisa’s due date and she has been much on my mind the past few weeks.  Her planning is right on because I go on spring break in two days. 

The past week I have been scanning through the 80 books I got in the mail (after I agreed to judge an awards thing).  It has been interesting to be just the reader and not the editor/writer.  Reading so many pages and trying to determine what is “good writing” and what is “so-so” writing is a challenge.  It reminds me of a little essay I wrote several years ago after sorting literary journals in a bookstore trying to see where my own writing fits.  In all honesty, I don’t get the literary thing-but I do get literature.  So, I’ll post my essay below and see what you think.  I wrote it during a lovely drive to Wisconsin to interview my constellation teacher, Heinz Stark. 

The Muse in Black

In Milwaukee I find the mother lode of literary magazines in a bookstore and park my ass on the dull carpet and scan the titles, plucking first one and then another off the shelf to read, beginning with ‘A’ for Antioch and moving to ‘Z’ for Zoetrope.  Most of them I’ve never seen despite all dire warnings of read the markets before you submit.  I can’t help it.  I write and write with little care of who will take the offering. 

But here, now, I intend to find out where I belong.

The style is an email style;  a short, cut it until it bleeds truth, bony finger language, incomplete sentences.  Stop.  Staccato, wings clipped, flight impossible in the mutation of language, in the marriage of current culture and language, in the deep abandonment of soul. 

There is no generous, voluptuous language swinging its hips, stretching a finger across space to touch a blemished face, across time to spy on a mother’s first moments with her newborn, no loose-limbed walk across an open field filled with the scent of soil, sage, and sex sticking to your jeans. 

More like jab, poke, flip. 

And in the moment when white space, breath, a time-stopping exquisite pause is required, or desired, to give the long muscle time to bunch and loosen, a few lines, nothing more, flex, flex, flex, biceps strong and bulked, the moment when you see me, really see me and I see you.

It takes me back to my radio days when the NPR style suggested we edit the breath itself for efficient sound bite, sound chunk, bits and bites and no chewing, no time for digestion or digression or exposure.  I think back to my German teacher who says all neurosis rests in a failure to complete the reaching out movement.  Infant to mother, soul to life, the complete outward stretch. 

I read the Braille of my culture in the clip, clip, clip of the new writer, leaf tips curling from early frost, fruitless buds, hearts frozen, all memory of blooming gone.

No, I prefer to let it breathe, let it flow out like water, like rivers, like floods, like vines creeping over the earth, like skin stretching over twins held in mother’s belly. 

I want to discover my own truth and think Colorado peach.  I want, I desire, I long for, I reach and reach and stretch and elongate, in elegant braids of desire and need, in a moment, one moment more, the breath caught in my thought, salivating, the zen movement, the satori of breathing through the obstacle until yes, feel it, smell it, touch it, bite it, suck it, juice dripping, wet, water, life flowing, yes, yes, mine. 

Tension releases.  I eat the peach. 

There is such unheard of abundance in nature . . . and such stingy, cringing, stopped growth called Art.

 If I want to call Art I will call him lover or despot or son and spin his tales until he folds his head into my lap and weeps. 

I overhear two women in the bookstore speaking and one says, “They had a perfectly good story and they stuck this literary ending on and ruined it.”  This lady is not just unhappy-she’s pissed off at being lured into the garden and then blindfolded, blindsided, and then left in the darkness. 

The Muse in black.  She mourns. 

I leave most of the magazines on the shelf.  Buy two.  Stuff them in the bag.  Take them to the hotel.  Leave them in the bag. 

And then I drive again through Wisconsin gold and red, autumn in the leafy world, along the river, through the farmlands of Minnesota, back across the long, dry prairie, counting cows and counting minutes until I can get back to my page of blank white paper and play and dance and sing the muse out of hiding and demand she disrobe before the grand council and do a river dance until her toes bleed and her heart sings once again for the sheer love of it, the sheer love of life, the sheer love of language. 

She sheds her widow’s weeds and joins me in the dance.

Say Yes to Spirit

Today I was listening to a couple of cassette tapes on my drive home from Pine Ridge.  We’ve been sorting (and clearing) old stuff and, in the process, many fun things have bubbled to the surface.  Today, it was two tapes from The Prophet’s Conference held several years ago.  I didn’t attend but a friend of mine did and loaned me the tapes.  The first one I listened to was by a couple who wrote a book called The Digital Aboringinals.  (Philip Tarlow?)

The presentation was, oddly, about how blogging and the internet are recreating a tribal mind–something long absent in our history.  They said the connections come quickly these days and merge so fast that hardly a single person can say “I did that.”  I was thinking about how hard Milt has been working to get us more connected to others via this and other blogs and websites.  What they said made me more determined to continue posting.  I have had a few subscribers the past week and will soon send out a newsletter.  (Sometimes I suck at even letting people know what I am doing.)

More importantly, though, was the second presentation.  His name was Albuerto V. (I’ll have to see if I can read the writing on the old tape).  He was talking about shamanism and the connectedness of all things.  What struck me as I listened to him talk about the “earth peoples” (trees and rocks and rivers) and the people who still listen to these ancient voices (and some who never stopped) is that this is frequently the underlying theme of my fiction.  Suddenly I realized that there seems to be a wall between the me who is living here on earth and the characters I create who really do remember to stop and listen and be.  Then Albuerto told a funny story about how when spirit speaks we need to listen and then say “Yes” to what it tells us.  He joked about how spirit calls him and gets a message that says “Hello, you have reached the body of Albuerto but he isn’t in right now and will get back to you.”  When I respond to the call of one of these “earth people” stories, I usually respond.  It may take a few weeks or months–but I do respond.  Albert’s Manuscript I wrote in 6 days and it feels like a prophecy story.  One Drum also, and Silver–so many stories centered in the heart of earth itself–and all telling us (me?) to listen and respond.  As I listened to the tape in my car while driving the many miles of Badlands and prairie once again, I realized that I have said “Yes” to spirit but then I have clung to the work as “mine” instead of passing it around as I am sure the earth peoples intended. 

Earth People Fiction–could I create a new genre? 

So, my decision.  If you are interested in any of the Earth People stories I mentioned above, I’ll send them to you in a pdf if you request it.  I can’t post entire novels here but I will send Albert’s Manuscript, One Drum or Silver to anybody who requests it.  I’ll consider you first readers and invite comments and suggestions as they are not yet published. 

What is Spirit asking you to do?  Are you listening and saying “Yes”?

Jamie