The Taming Power of Love

I am happy to announce that my new novel, The Taming Power of Love, is now available.  In this story I follow two young Lakota boys who lead the way to a total revolution of the heart.  This book has been a labor of love and committment for me as a writer–ten years in the making and my favorite story.  You can now order it at Amazon.com I am posting the first two chapters here tonight.

Chapter 1

February 27, 2003

Cuny Table, a tabletop mesa in the heart of Lakota country, is an unlikely place for a restaurant. The mesa itself is a survivor, having held its ground as thirty-five million years of wind and rain eroded the land into what is now the Badlands of South Dakota. On its high top are a few scat­tered ranches, fields of winter wheat, and a view so wide it feels like the floor of heaven. Sketched along the skyline to the west are the Black Hills; and on the northeastern edge surrounded by a few rough buildings is the Cuny Café.

Agnes Stands Alone, the owner of the café, has been there as long as anybody can remember. She is an old, square-bodied woman with short, coarse hair and eyes like dark marbles that seem to see straight through you. The regulars call her Unci, or Grandmother in Lakota. Most of them wander in not so much for the food (although the food is good) but for her company and the unusual tea she brews from plants gathered down in the Cheyenne River breaks. The old ones, especially, find Agnes’s tea eases their aching bones and makes the blood flow more easily to the toes. Oh, she makes no claims about her tea, but everybody who walks in gets a steaming cup slapped down before them with a brisk command to, “Drink up.”

The café, an old thirty-foot trailer, has been gutted, in­sulated, and made into one open space except for a back bedroom which nobody but Agnes has ever been in. The front has a single booth, two tables, and a plywood counter top covered with blue-flowered contact paper. Some strangers think the poor old trailer looks like a dislocated train car hooked to nothing, going nowhere.

Agnes never hesitates to give advice—or a solid scolding—when needed. But, more than the tea or Indian tacos or advice or whatever is on the menu that day (everybody eats the same daily special), the locals go to the café for Agnes’s stories. She knows all of the old Lakota stories. She knows the creation stories, the stories of Iktomi the trickster and the Seven Sisters who can still be seen winking down from the sky on a clear night. Her favorite is the story of the Second Cleansing when Unci Makah grew tired of the antics of her human children and tossed all but a few off her powerful body. According to the story, those She sheltered later emerged from Wind Cave as The Lakota People.

Agnes, however, doesn’t just tell old stories. Sometimes she tailor-makes the story especially for the person hearing it. For instance, once J.J. Runs At Night had a new colt so sick it couldn’t stand. Agnes told him a story about how a grove of young willows withstood the mightiest of storms by forcing their roots further into Unci Makah, Grandmother Earth. “Such smart, young trees,” she said, “to know just what to do.” By the time J.J. got home, the colt was running across the corral on four sturdy legs.

Another time, June Player’s daughter tried to die by cutting her wrists with the top of a tuna can. The poor girl nearly bled out before they found her. For this dangerous moment, Agnes told June about a small ant who had lost his place in line—until the wind blew a single grain of sand across his path, forcing him to turn another way. The next day, June’s daughter woke up from her deep, uneasy sleep talking about needing to find her place—before it was too late.

A while later, the girl began writing poetry and gave Agnes this poem written in a smooth, pretty hand:

In the greater scheme of things

Only she who sings,

And learns to play the wind,

Will ever grow wings.

Now I play the wind.

Agnes took a pineapple-shaped magnet, stuck the poem to her fridge and said, “Good.” After that the young girl began hanging around the café helping Agnes peel potatoes and wipe off countertops.

Of the nearly forty thousand residents of The Pine Ridge Reservation, at least half of them have been in the Cuny Café at one time or another, not to mention visitors from Japan, Switzerland, Germany, and many other places. Agnes keeps a guest book and feeds them all tea and stories.

On slow days, Agnes sits in an old rocking chair on the rough-lumber porch that the regulars had built for her five years earlier and lights her pipe. When it’s not in use, she keeps the pipe in a small, beaded bag hanging on a nail beside the screen door like a good luck charm. The bowl is carved red pipestone from a quarry in southern Minnesota. This particular stone, Agnes says, was once part of the Black Hills until it broke away and floated off during some ancient upheaval.

Agnes fills the pipe with a dried version of her tea, and while she smokes, she prays. Sometimes the praying takes her far off to what she simply calls “the other place.” The first time she visited this other place she had been only seventeen and drunk. Her uncle, a medicine man, had found her puking her guts out beneath an old cottonwood tree and taken her home and made her pray for three days straight without food or water. That ornery old man—he’d cut straight through her young spirit to the old woman already living there, and Agnes had never again been able to return to her ordinary young life.

Now, when the locals drive up Cuny Table to grab a bite to eat and find her sitting so still with the pipe in her lap and the spirit absent from her eyes, they know not to disturb her and simply tromp up the steps to help themselves in her kitchen. Occasionally, the praying is so complete, so per-vasive, that they find it impossible to cross her threshold and simply get back into their trucks and leave.

Agnes sees many things in the smoke curling up from her pipe; she sees the land, she sees distant places, she sees the beating hearts of the people, the breaking hearts of the people, the loving hearts of the people; and, sometimes, in the hazy curl she sees the old ones who once walked the earth but now watch from other realms. The old ones have stories of their own to tell, but Agnes never tells these stories to anybody except Bill Elk Boy.

It was one of these days, on the edge of winter, when Agnes cast her inner eye outward toward the weathered lands north of Cuny Table and saw the change coming. There, on a single square foot of dry, deserted earth in the Badlands, a thin line of dust rose up from a single needle-mark in the sand. Agnes watched the whorl of dust curl upward like the smoke of her pipe. It had no discernible color unless she used the very edges of her peripheral vision—and then she saw the palest of pink light rising from a dark horizon. As she watched, the pale moving spiral seemed to take shape, as if Creator was conjuring something from nothing, dancing dust into form.

When the dust settled, she saw the form of a woman   asleep in the sand and Agnes knew she had returned at last, the little one . . . the lost one. Two young boys were walking toward the sleeping woman.

When the glaze cleared from her eyes and she again entered this ordinary realm, Bill Elk Boy was beside her. He took the pipe, the bowl now cold to the touch, tapped it clean on the edge of his chair, slipped it back into the beaded bag, and said, “It begins, Agnes. Today it begins.”

Chapter 2

The two boys approached cautiously. From a distance Jed Forrest thought it must be a dead deer or that someone had dumped a pile of clothing out here in the middle of nowhere. He got closer, and his heart started thumping hard when he saw it was a person laying there on the ground—a lady. He and his little brother, Pete, had seen a lot of strange things out here in the Badlands—but they’d never found a body before.

Pete hurried ahead and was on the ground reaching out to touch the lady. Jed caught up to him and whispered, “Don’t touch her,”

“Why not?” Pete asked.

“Because she might be dead, murdered maybe, and we’d mess up the crime scene.”

“Oh,” said Pete. “But, Jed, what if she’s just sick and needs a doctor? We got to do something.”

“I know that. Let me think a minute.”

Jed didn’t know what to think or do. The lady was curled into herself as if she was cold. She wore nothing but a light jacket, jeans, boots, and no cap. He resisted the urge to touch her even though he’d told Pete not to. His dad was maybe fifteen minutes away—too far to hear them if they yelled—but Pete was right; they needed to do something. He reached for her wrist to see if he could feel a pulse. Her skin was warm and relief washed through him—she was alive. He pressed his fingers into her wrist and felt the thump, thump of her heartbeat. “She’s not dead, Pete.”

“Look, Jed. She’s waking up. Maybe you brought her back to life.”

“Shut up, Pete.” Jed dropped her wrist just as the lady blinked her eyes once, twice and then looked up at him. It was strange, the way her eyes wandered, looked up and down, and then finally focused on him. She shook her head and rubbed her face. Jed said, “Are you okay?”

“What?” she said quietly, still blinking and rubbing her eyes.

Pete squatted down and said, almost yelling it out. “She’s alive.”

“Hush, Pete. You’ll scare her. ” Jed stood up and looked down at the woman. “Are you hurt?”

She moved slowly feeling her arms and shoulders and then pushed herself up into a sitting position. “I don’t think so. No, I’m fine. Everything seems to be working.”

Jed looked around for something to explain her being asleep in such a strange place “What the heck are you doing here?”

“I . . . I don’t know. Where is here?” she asked.

“Sheesh—you don’t even know where you are? This is the Badlands. We thought you were dead.” Jed couldn’t believe it.

She smiled. “Well, I don’t appear to be dead since I’m sitting up. Who are you guys?”

“I’m Jed. This is my little brother, Pete. But who the heck are you?” Cripes, he thought, she looks like she just woke up from a little nap in her own bed.

“Give me a minute here, boys. I need to get my bearings. It’s been a very long night, maybe the longest night ever.” She planted her palms on the earth and dug them into the sand, as if the sand was going to tell her something she didn’t know. Jed waited.

The lady finally dusted off her fingers and said, “To tell you the truth, I don’t know who I am.”

Pete sat down beside her and crossed his legs. “She’s got nesia, Jed. You know, like when you can’t remember things.”

Jed said, “The word is amnesia, Pete.”

Pete nodded, focusing all his attention on the lady. “Or maybe you got picked up by aliens, and they dropped you here from their spaceship.”

“Aliens? Come on, Pete.” Jed poked him with his toe.

“Well, I saw a show once and there were these creatures from another planet and . . . .”

“Not now, Pete.” Jed tried to explain it to the strange lady, “My brother is—”

“Sweet. Your brother is sweet,” she said. “No, Pete. I don’t think it was aliens who left me here.”

“What’s your name?” Pete asked.

She rubbed her face and then scanned the earth around her. “Terra. My name is Terra.”

Jed wondered if she was playing some sort of strange game with them “If you can’t remember who you are, then how do you know your name is Terra? What are you doing here? And how did you get here?”

“So many questions for one so young,” she shook her head and shrugged. “I don’t know how I know, and I don’t know what I am doing here. Waiting for you guys, I guess,” she said. She looked around again and seemed to really see where they were for the first time. “This place takes my breath away. It’s so beautiful.” She gave her fingers a wiggle and then looked down at them as if surprised to find them working. “This is amazing, incredible really.”

“What? What’s incredible?” Jed tugged at his long, dark hair—hair he had not cut since his mom died.

The lady watched him, seeming to notice him for the first time. She looked from him to Pete and said, “Are you guys Indians?”

Jed nodded, “Lakota.” He was beginning to not like this game or this lady or the way Pete was staring up at her as if she were the moon and sun combined. “Pete—quit staring at her.”

“She’s pretty, Jed.”

“Oh cripes.” He resisted the urge to kick sand at his stupid little brother.

“Pete. Jed.” Terra said quietly, as if the names were sacred sounds. “It’s okay, Jed. Everything is okay, don’t you know?”

“What? What don’t I know?” He was beginning to dislike this word game. The lady reached out as if to touch him but he pulled back.

“How old are you, Jed?”

“Twelve.”

“Ah, such a good age.” She turned to Pete. “And how old are you?”

Pete grinned. “Seven. Almost. Next month.”

She nodded and said, “Perfect. Now, quit worrying, Jed. Never mind that I can’t answer your questions yet. I’m just so happy to meet the two of you. Really I am.” She stood up, pausing a minute as if to make sure her legs were working, and then she said simply, “Come on. Let’s go.”

“But . . . but where are you going?” Jed asked.

“With you and Petey, of course, since I don’t know where I am and it wouldn’t make sense to just stay here all alone.” She took Pete’s hand and then started off down the draw in the same direction from which they had just come.

Jed shook his head as he watched the strange lady and his little brother walk off like who-do-you-know. His head felt funny, tight and full, and he couldn’t figure out what was going on. There was no car or truck, no motorcycle or campsite, nothing to explain what she was doing passed out under an embankment, no clue of who she was or what the heck she was doing sleeping in the Badlands.

Jed didn’t like strangers, and he most certainly didn’t like strangers who called his little brother “Petey.” He let Terra and Pete get ahead of him. He was thinking about how, when they’d first found her, he’d thought she was dead, lying there not moving, like something tossed away. He’d felt for a pulse and just when he’d been about to run for his dad, she’d opened her eyes and blinked up at them. Cripes, that had given him a scare—like a movie—the dead one getting up again and again.

Except they didn’t all get up.

His mom hadn’t gotten up again. Sometimes they were just plain dead. He felt the familiar plunk in his belly that always came when he thought of his mom. “Dang,” he muttered aloud.

Now the lady and Pete were walking ahead of him like old buddies, and he had to hurry to catch up. He closed the distance between them. When he caught up, Terra put her hand out; and without thinking he took hold of it like it was a stick and he was drowning in a creek. The lady just smiled at him and suddenly his cheeks felt hot.

Something crazy is going on here, he thought, now totally conscious of her hand in his. In an eye blink, everything had changed. He looked at her, but she was staring forward, marching along like a soldier. When they topped the rise, he tugged his hand from hers and said, “My dad is this way.” He pointed off in the direction of the truck and they walked soundlessly down the dusty wash and up over the bluff.

She looked at him and said with a wink, “Lead the way, my man. Wither thou goest, there go I.”

“What did you say?”

“Relax, Jed. I’m only having some fun with you. Are you always so serious?”

“I am not so serious.” The lady stared at him like she could see right through him, and that made him mad. He turned and walked off.

Staying ahead of them, Jed led the way over the bluff and back down into another wash, following the tracks that he and Pete had made just a little while ago when the world still seemed together and they were just going off to collect sticks or cans. He could see their tracks pressed into the sand like fossils—yet it didn’t seem like the same path they had come down. Suddenly nothing seemed familiar. He looked around and it seemed like a movie with the volume turned up, like there was more of everything: more color in the sky, more softness to the sand, more insects buzzing in his ears, more yellow in the morning sun . . . more, more, more. It made him dizzy.

He headed toward his dad’s truck shaking his head, fighting a sudden weird urge to laugh and wondering what his dad would say about her.

Let him figure it out, Jed thought. Let him just go figure.

Plowing Forward into the New Semester

Today I made my first journey across the prairie along the edge of the Badlands again to Pine Ridge College Center (one of 11 in the Oglala Lakota College system) to teach my first classes of the new semester.  The weather was frigid with ground blizzards blowing across the roads.  I had to ask myself, once again, what am I doing making this journey 2-3 times each week? 

I walked into the college center and saw the hum of activity, the buzz of nervous excitement, and the meet and greet as dozens of students roamed the halls trying to find the right room. 

And then I remembered.  That’s why I make that drive-for those students.

This semester is the first “official” semester where there are two distinct levels of my developmental English class.  This means I have one class filled with brand new students, many of them entering their very first semester of college, and the other class consists of my two classes from last semester merged now into one.  The difference between the two classes was stunning.  The “new” students all snatch the back row chairs, stay silent, look wary.  My returning students greeted each other (and me) with happy hellos, smiles and sometimes hugs.  They are excited to be back in my room and ready to learn.  In fact, they have become a learning community. 

My usual “first writing” assignment for new students is to have them write about the three things that will support them in finishing this semester-and the three things/obstacles that could possibly toss them out.  This accomplishes two things for me.  It gives me a first glance at their writing skills, and it lets me know what the primary struggles (and supports) are for each student.  Again and again, the major obstacles are transportation (it’s winter), child care . . . and either getting up or simply showing up for classes.  Sometimes, the health of a family member plays into the scene.

One of the things I’ve become convinced of is that many entering students show the residual symptoms of E-PTSD.  That is my own term for Educational Post Traumatic Stress Disorder.  Because, in their educational histories, they have not been allowed to learn in a natural way or have spent too many years in a classroom feeling afraid of making mistakes, ashamed when they do make them, and then punished for making them, they are now afraid to take a chance with learning.  Signs of E-PTSD are low self-esteem, reluctance to participate, stress, and fear of failure (not to mention a high drop-out rate). 

The differences between my first and second classes are indicators that recovery has begun.  I work very hard to create an environment where mistakes are natural, expected and willingly shared so we can all learn more.  The more I discover how a low-stress, excited about learning environment can support the abundant growth of new neural structures, the more pissed off I get at how we do education in America.  But that could be a book . . .

I, too, am a natural born learner and figuring out the best way to boost writing and reading skills is a high for me.  Doing it in an environment that, by all indicators, is considered “disadvantaged” is an even greater high.  Besides, I really like these students.

Enough for now.  Anybody interested in learning more about what we are doing to boost retention and learning can email me and ask.

Plowing ahead.

Jamie Lee

A Snake in Eve’s Garden

V-Day came to the Black Hills of South Dakota in the spring of 2002.  Playwright, Eve Ensler, with the help of the Wild Women arrived in our small community to perform The Vagina Monologues, and to raise money for a women’s shelter on The Pine Ridge Indian Reservation.  The hotel space, a former indoor tennis court, was packed to the edges with women and a few brave prairie men. We liked Eve.  We liked the monologues.  Never have I seen so many women discover their vaginas at one time.  The evening exploded as the vaginas wept one moment, and giggled like naughty girls the next.  The show ended with a powerful monologue read by a Lakota woman and written by a Lakota woman whose husband beats the shit out of her. 

Jane Fonda was there.  Tantoo Cardinal was there.  Ulali, the native singing women, were there.  We were all there.  Later, we drifted into a reception with draped tables filled with chocolate-dipped strawberries, cheese and crackers, a fountain flowing with white wine, and an auction to raise even more money for the very good cause.   Those of us who work to eradicate racism and cultural schism in our small community were deeply gratified to see so many people attend. 

There was, however, a snake in the garden of Eve.  As the evening progressed, I had an obsessive urge to tell Eve and her devoted friends why their generous offering of hope and a future for native women simply won’t work, why we can’t just throw money at the social problems in Indian country and expect change. 

In families-and in cultures-there are deep, natural orders of place and precedence flowing that like laws of nature must be observed.  When these natural orders are disturbed, things go wrong. 

In Indian country, they’ve gone wrong.

Events such as The Wounded Knee Massacre, the taking of the Black Hills by the U.S. government, and the violation of important treaties usurped the place of the Lakota people on their land.  The end result has been that the Native American, who was first in the birth order of this American nation, is now treated as second both socially and economically.  This loss of place for native people is further complicated by the fact that the immigrants also lost place in their country of origin, sometimes for desperate reasons such as war, famine, and exclusion based on race or religion.

History played its cards and millions of native people died from war, starvation, disease and broken hearts, as did many immigrants.  It gets worse.  Now, over a hundred years later, the present-day native people secretly feel guilty both for surviving and then for benefiting with money, schooling, and health care-all gained from the terrible fate of their ancestors.  Compounding this, white people secretly feel guilty for what their ancestors did to native people.  They attempt to right the wrong but also feel that they didn’t cause this and why must they pay?  What a tangle. 

This first loss of place of the native people caused a systemic disturbance that continues to echo through the generations.  Although modern natives did not suffer the fate of their ancestors, they bear the residual effects and deal now with their own difficult fate.  Violence, anger, alcoholism, health issues, and resulting broken families have tumbled down from the earlier generations and put down their roots in this one.   In an age-old movement, victim becomes perpetrator. 

In this scene, the white man is now peripheral, off stage from this new play of events and often the deepest wounding of native people today comes from within their own culture.  It’s difficult to sort out what pain belongs to the past and what is truly now.  However, the healing of these issues can only come from within each culture and each family as they struggle to deal with the current breaks in the system. 

In an ideal world, we would give native people back their place as first.  In an ideal world, the native person would refuse to accept the white man’s money thus freeing himself to fashion a future dependent only upon his own resources, education, courage, and good will. 

Of the past suffering of our ancestors, both native and white (and any other American hue) we can only offer a deep bow in honor of those who suffered.  Nothing can be done to resolve or reconcile how this country began its life.  It happened.  It cannot be changed now.

The second snake in Eve’s garden of generosity concerns the issue of colonialism.  Sadly, the picture here is that of the great white mothers arriving to save the poor victim women of Pine Ridge (who cannot solve their own problems without help).  This is a too familiar tune in Indian Country. 

My observation is that the native people will accept the money-and then resent the white man or, in this case, the white vaginas for being so arrogant and condescending.   In the end, the people of Pine Ridge will be unable to claim the beautiful new shelter having been robbed of the pride of saying; “We built this safe place for our women”.  And so the project fails or goes into decline while Eve and Jane feel the warm glow of having built a shelter for women on the Pine Ridge Reservation.   Handouts in the spirit of colonialism only continue the disturbance and disorder cascading down through the generations like a polluted river.

The final reason I wanted to corner Eve was on the issue of women as victims.  Why reinforce the idea that Lakota women are entirely innocent and must be protected for their own good?  It doesn’t strengthen them-or any woman.   

If I were to fantasize for a moment, the following scenario unfolds.  When the sea of white settlers and soldiers washed over Indian lands, the Lakota warrior could not stop the invasion.  His entire life was about protecting and sheltering his women and children-and suddenly, he simply couldn’t do it.  Perhaps some fundamental male link to pride and power snapped at that moment.  Likewise, the woman realized her man was no longer powerful enough to keep her safe.  Talk about frightened and pissed off vaginas!  Both lifestyle and life were perilously threatened.  Many died.  A way of life collapsed. 

One generation of pissed off and disillusioned Indian vaginas gave their anger to their daughters, who then passed it on to their daughters, and the men have been failing as warriors ever since.   Too often, this anger is aimed at the sons of the Lakota nation and they, in turn, become abusive and angry. 

Again, the fate of the ancestors pours down into the present time.  Anger, however, is always a mask for deep sadness, grief, and fundamental fear.  The children of Pine Ridge need their fathers back if life is to go on in a good way.  And the women need their husbands and warriors back. 

Sadly, alcohol and drugs are the primary painkillers for both the men and the women and then, later, the children.  Perhaps the one who pays the stiffest price for all that has happened is the Indian male.  Indian men do not live long in the world.  They die of broken hearts, diabetes, and alcoholism.   Few live to be sixty years old.  

Any effort to restore health, strength, and sanity to the Pine Ridge Reservation must include the men taking a place of strength within the tribe once again so the women and children can relax within the sphere of care of their husbands, fathers, and grandfathers.  All children need their father’s strength and influence around them and we have to guard against penis monologues that dismiss men from the center of the family. There is no part of the soul of an Indian man that doesn’t want to shelter his women and children.  If we talk only to his soul, he may find a way to take back his place. 

You see, it isn’t really about vaginas and penises; it’s about hearts and souls. 

If it were my money to give away, I’d offer knowledge and nothing else; knowledge of systems and how they succeed or fail, knowledge of structures and systems operating beneath human awareness, knowledge to decode the mystery of their own recovery, and train the leaders of the next generation. 

What can we do in the moment?  Above all, see them.  Give recognition and respect in great quantities, and give the Lakota people and other native tribes back their place in the history books and public venues.  Didn’t they survive and thrive in spite of a nation’s greatest efforts to remove them?  Tip a hat to that.  Write a monologue to that.   They are incredibly strong, smart, loving, loyal, and full of fun and I’m sure, given half a chance, they will figure it out. 

Don’t get me wrong.  I loved Eve’s work, and the fearless way in which she does it.  I loved the thousand women there on V-Day, many of them dressed in red, drinking white wine with tears in their eyes, and a twinkle of something else.  My vagina sang little songs in their honor.  Besides, it isn’t just the native families that need strong fathers.  In truth, Eve, vaginas and penises fit together, like finger and glove, one filling, one surrounding, one giving, one receiving . . . and that’s life. 

© 2003 P. Jamie Lee

About Considering Squanto

I just posted an old essay (below) that refers to our Oyate adventures called “Considering Squanto.”  The date referenced in the essay was 1998–could it really have been ten years ago?  It has never been published but came close a few times.  Although I am a white girl, I grew up in Indian Country, am married to a tribal member, and can’t help ask the question, “What would help the Native people regain their strength and vitality?”

One of the things Milt and I realized as we have struggled to stay out of the frozen past when producing or writing about Native people is that many Americans seem to have a need to keep Indians as Icons.  This oddity is not limited to them–we also keep the old west, the cowboy, the freed slaves alive as icons of our American History. 

Even today I had an email from a friend in California who questioned whether helping my students or other Lakota people on the Pine Ridge Reservation to become educated or to develop vital economies would just be helping them into the assimilation grave?  My answer to that is that living with poverty, illness, and early death is not the “Indian Way” either–so what is the solution?  Additionally, constantly pouring grants and financial aid in the direction of Indian Nations perhaps more dangerously continues the colonialism that caused the problem to begin with. 

 I would be curious to hear the ideas of others.   That reminds me of another old essay–perhaps I’ll post that one tomorrow.  It is called, “A Snake in Eve’s Garden.”

J. Lee

Of Noble Bearing

Published by Winds of Change Magazine, Fall-1990
Included in McGraw-Hill Ryerson anthology entitled Native Voices

 

 

Of Noble Bearing
by Jamie Lee

Chick Cloud walked home from school Thursday with a deep scowl lengthening the natural lines of his face.  He kicked a crushed paper cup with the tip of his boot and watched it sail up, turn over, and land in the gutter on a muddy mess of leaves and trash.  It ain’t fair, he cursed silently.  It just goddamn ain’t fair.

Mrs. Salstead had pulled him up in front of the class (the second time this week) and made him stand there while she read his short story out loud to the class.  “Man, would I like to get her,” he muttered aloud this time, the rage rumbling through his body.  He could just see himself punching at her puffed up body or snatching the stiff glossy wig from her head and watching her hands fly to her flattened scalp.  He’d just stand there, arms folded, laughing.

But he had just stood there.  Silent.

Fresh shudders of anger and humiliation ran up his back and stiffened his neck.  Goddamn, it ain’t fair.  And all because of that stupid book.

Chick had never thought much about being Indian, at least not until just lately.  On his fourteenth birthday, just two weeks earlier, Uncle Red Cloud had come to see him and had given him that book.  Books were not his thing, but Red was his favorite uncle and something about the tall Indian youth on the cover of the paperback caught his eye and pulled him into the story hidden between those slick covers.

It was a short novel about a kid named Lance that belonged to the Sioux tribe (his tribe).  It took place on a South Dakota prairie two hundred years earlier, before there was a South Dakota.  Last Monday, Chick had parked himself in a chair in the corner of the living room and started reading.  He read slowly at first and kept reading until he forgot he was reading.  That had never happened before, like the pages smeared and blurred until he quit reading and actually became Lance, the kid in the story.  Strange. 

When Lance moved through the underbrush, Chick could feel the branches scrape his cheek; when Lance rode his pony, Chick’s inner thighs felt warm and chaffed; when Lance ran, Chick felt soft-skinned moccasins cushioning his feet and his breath quickening.

Weird.  A weird, eerie feeling; a sense of sliding into another age, another time.  Hours later, Chick had risen from the chair amazed that he had read the entire book in one sitting.  A first for Chick.

When he put the book down, the drab reality of his own living room in the tumbled track house felt chilly and disappointing.  Dad had passed out on the couch from drinking again, Mom hovering protectively over the drunken man.  Again.  The sight stabbed, like the blade Lance used to skin the wolf he had hunted and killed.  It stabbed; sharp, pointed, pain.  Nothing’s fair, nothing.  Discontentment had grown like a pool of blood on the forest floor, soaking his thoughts and making him mad.

And then he had written the story, (that story) last night sitting alone at the kitchen table until midnight.  Wrestling with words, wrangling with his own poor vocabulary, determined to say it, to translate the sense he had while reading that book into today’s world.  A noble Sioux in a modern society?  He created a character and then gave him nobility, crowning the young man with his own hidden desires.  As he wrote, the tangled feelings and thoughts about his own life had tumbled out the end of the pen and landed in the story.  Chick went to bed feeling different somehow, settled and sure. 

It wasn’t that he thought the story was so terrific or anything like that.  He knew his handwriting stunk, and his spelling and punctuation were lousy.  He knew that.  It was just that, well, it was just how he felt as he wrote it out, and then to have the class…and that bitch Mrs. Salstead…

“And Mr. Cloud, it should be–he moved with noble bearing, b-e-a-r-i-n-g, not baring, b-a-r-i-n-g.  To bare means to become naked.”  Chick had kept his head pulled down, his hair hiding his face as he stood there.  The class had dropped into the aisles with laughter at Salstead’s stuffy and humiliating tones and tight mouth as she ripped into his story.

“God.  I’d like to kill her.”  He cussed loudly now, his rage ribboned by the slicing hurt and shame of Salstead’s words.

As he entered the front yard of his parent’s house, the whole shabby mess dumped in on him; the muddy tire tracks cutting across the sunburned lawn, the house flaking and peeling, a pack of dogs sniffing and pissing along the foundation.

“Go On.  Get the hell outta here.”  He grabbed fists full of dirt and stones and ran at the dogs, hurling the stones hard.  He heard a high pitched yelp as a stone connected with the back end of a mangy shepherd.  Chick felt mean.  Mean like in hurting mean, or killing mean, or mean like getting drunk and fighting mean.  It was the kind of mean the wolf in the book must have felt when he knew Lance was hunting him, wanting to kill him, to destroy.  Chick’s own nostrils flared and he wanted to crouch, to slink silently, to feel his own throat vibrate in a deep growl.  It was a wild animal feeling.  It made every muscle in his body tighten in readiness, in preparation for the fight, for death, if necessary.   He wanted to bare his teeth and snarl. 

Damn.  Bare.  That word again.  Baring.  He felt defeated.  Killed.  The howling laughter of the other students rang in his ears again.  There was no getting away from a mind or a memory.  No place to hide.

Noble bearing.  Chick saw in his mind Lance’s arrow-shaft, straight body, his long proud neck, the dark hair pulled back tight to reveal every inch of the rich dark tones of his skin.  A leather strap crossed his brow like a crown.

Chick thought again of the words he had written in his story.  Not thought like “oh yeah, sure” but really thought about noble bearing.  The words.  Noble bearing.  He gazed out across the back yard, the dogs gone now.  This time, he saw it as it must have looked two hundred years ago.

Lance looked across this same land, then untouched by human filth and small minds.  The earth still clinging to herself, and man still clinging to the naked earth.  A kingdom.  Chick felt the light breeze brush his brow as he pulled the hair from his face.  The early autumn sun still held it’s warmth. It felt good.  Clean.  Like it really was the same sun and the same breeze that Lance had felt, and that had warmed and cooled the prairie for so many years. 

“It’s not fair.” Chick whispered.  This time, the words were sad, grieving; for the land, his parents, even for Mrs. Salstead who may never understand the way Chick felt at this moment.  He felt sad for all that was forgotten or misplaced, for what had been hunted and slain and a great sympathy sifted in pushing out the rage and the humiliation. 

Chick bent down to pick up a discarded beer can.  He bent again to pick up a crumpled newspaper.  He bent from the waist again and again keeping his upper body straight as an arrow as if he were bowing to the land.  Bit by bit, he cleared the trash from the yard, his motions slow and rhythmic like an ancient tribal dance.  Each time he stood erect again, he tugged his hair away from his face so he could feel the breeze on his naked brow.  Noble bearing?  Noble baring?  Sometimes it seemed that nobility could only come from stripping away what didn’t belong, by clearing and making it naked again.  Perhaps the two words were not so different and things could be fair.  Chick didn’t know for sure.   

The Rice Song by J. Lee

The Rice Song

(First publishing in Winds of Change Magazine)

It was just rice pilaf nestled beneath her lemon chicken, a sprig of parsley asleep beside it on her plate but something about those little dark grains jumbled up with plain old steamed white rice had set off a gunpowder flash of recognition and kinship.  There wasn’t enough wild rice in that pilaf to even be noticed.   

Christina Day sat in the restaurant staring at the rice, feeling foolish, tears backing up behind her eyelids like mud and grit and making it difficult to see straight.  Innocent meal, guilty of much. 

“Are you all right?”  Dave asked her, noticing the tears.  Dave had taken her out to dinner to celebrate her promotion to office manager in the company.  They had been friends for a long time and Christina knew some mysterious line was being crossed and soon they would be more than friends.  He was kind and sweet and gentle.  And white.

“I’m fine.  Its just the rice pilaf, the wild rice; reminded me for a moment of my grandmother.  She died just recently.”  Noticing his confused look, Christina added, “She used to rice the lakes in my hometown in Minnesota.  It was quite an annual event.”  She stared at Dave, speechless.  It was always like this when she tried to tell others about that world, her world.  It wasn’t just being Native American, born and raised on a reservation; it was also about being from the outback, the deep woods of Minnesota with Indian blood and the forest spirit dancing and chanting strangely inside of her and both oddly out of place in a city.   

Dave chatted about work, co-workers, current accounts and it all knocked against her ear drums like the clack clacking of a computer keyboard.  A weariness filled her; weary of going along, playing the game, pretending to be at home in cities, in corporations, in a society that was at once singularly, boringly familiar, and so so strange that she hadn’t a clue how she had come to live there.  It was another place, another planet. 

There were moments when all the individual cells of her body cried out, like the paling chlorophyll of a plant; give me light, water, sunshine, give me green green forests that a person can walk straight into for miles and miles and never be heard from again.  I want a lake, edged with the fringe of grassy rice plants and loons singing to each other in songs we can hear but cannot understand, not with ears at least.  It was like great thirst, or great hunger, or bone brittling weariness, so deep was her need. 

Wild rice.  A little bit of brown in all that whiteness, that had been her first thought staring into the rice on her plate as if it were the fortuneteller’s tea leaves.  “Ah yes, I see a beautiful Indian child, an Ojibwa I believe, yes, yes, she has left her home area and gone to live among the whites.  She tires of it.  Yes, she tires of it.”  Christina had fled the day after her eighteenth birthday.  She had wanted to just forget her Indian blood, leave history where it belongs, behind her.  It had all been very methodical.  Logical.  Cool and calculated as if there were no gene pool swirling in her veins, nothing to link her to a forest people.  College, a career, Dave warming to her and reaching out to pull her fully, finally, into the niceness of his world.  And still he chatted and spun tales and did not notice the swirling vortex of thoughts and impressions pulling Christina deeper into the pool.

Memories and cells longing for a forest of green and a stand of rice.  Oh, it wasn’t hard to forget the ugly stuff, the hurting, bleeding stuff; poverty, drunkenness, fights, rotten cars, rotten kids, rotten world.  Reservations.  Reserved, for what?  No, all of that was easy to leave behind.  But those dark slivers of grain, they brought flashing forth all the good things, the things that sharpened the ache as if on a whetstone. 

She could smell it.  Odd, that a smell memory could be so powerful. 

Wild rice, brown gunny sacks filled with the sandy, dusty scent of finished rice.  When she was tiny she would sneak downstairs into the bedroom closet.  The sacks were in there.  Open the closet door and the smell would creep out, pinching her nose.  She would grin at the sacks as if they were her private companions.  Scooping handfuls of the grainy goodness she would make tiny rice-falls watching each kernel hit the larger sea of rice.  Better than beach sand, this wildest of wild rice.  Grandmother had caught her once her hands high above her head as if in ceremony, the rice tumbling and falling toward the earth, and all happening guiltily in a back bedroom closet.  Christina smiled as she remembered Grandmother’s face; amused, gentle, crinkling and wrinkling until it looked like gunny sack, brown and slack. Christina loved grandmother’s wrinkles, like maps to unknown places and times.   “Manoomin.  Wild rice.”  was all she said to the granddaughter caught in ceremony to the rice, chuckling and closing the door so quietly leaving Christina to play in the rice.

Grandmother had told her rice stories after that.  Many of them.  And let her come along during the harvest.  It was all so exciting that Christina would tremble and go breathless.  Everybody watching, waiting, praying and singing to the rice–that was what Christina liked best of all.  Everybody singing to the rice.  It was grand.  And waiting, waiting for just the right, fat, bulging pregnant moment and the slim, flat-bottomed boats gliding quietly through the rice.  And grandmother, all sleeved and covered, a blue bandanna on her head and a smooth pole in her hands knock, knocking the rice into the boat’s bottom.  Careful, easy, easy on the plants.  And ducks everywhere noisily gathering their own harvest.

No, it was these memories that poked and got under her skin like the itchy chaff of green, unprocessed rice.  But then at some point, the magic just went out, like the warm air of an inflated balloon and the magic was flat.  Christina never could tell if the shift was inside (childhood ending) or if it happened outside, in the world.  But when the magic went flat, it seemed like the green good rice was really about green money to buy white wine.   Simple lines became hopelessly tangled without the magic;  ricing rights, over-full lakes and pollution drowning or choking the tender young plants.  Things just seem to go to shit and pretty soon all Christina could dream about was getting out, getting away from the dying reservation. 

But for all of it, she couldn’t stop being homesick for that dusty smell, or the taste of tender cooked dark rice with sugar and sweet cream for breakfast.  Or grandmother closing the door on her rice-fall.

There wasn’t a way to skip over all the ugly stuff and get back to the good.  She wasn’t a tiny girl anymore.  Grandmother was dead.  The whites were growing wild rice in man made marshes.  Tame wild rice!  As silly as this pilaf on her plate.  So much had changed…  

Or had it?  She was still Christina Day; still an Ojibwa from the Leech Lake Reservation.  The lakes, the forests, the people; not so much a location as a sound, a melody that played deep inside even while all the world was a crazy, cacophony of change. 

Christina had a powerful urge to sing a rice song, here, in the restaurant, with Dave and all the others looking on thinking probably that she had had too much white wine.  There was a glitter of perspective that made it all seem humorous and made her head light and fuzzy.  Her uncle had once been arrested for robbing the liquor store.  Him and a buddy had taken two gallons of white port wine, and then accidently dropped one of the gallons on the stoop as they were leaving.  The whole inner scene made her chuckle until Dave finally shut up and was looking at her in amazement.

Why does that seem funny, she wondered?  Maybe the weariness was from seeing such enormous panoramas of change from a tight, pinched vision, and holding, holding herself in a place she didn’t want to be. .  She could still sing to the rice; a rice song all her own.  The spirits would hear.  She was sure of it.  Things change, times change, even lakes change; where rice once grew, now nothing.  But spirits don’t change, songs don’t change.

Christina hadn’t changed.  That’s what seemed so funny.  Not with all her colleging, and careering and careening around in an unfamiliar world.  It hadn’t changed her at all.  Not a whit.  She was still Christina Day, her hands high in ceremony and the rice falling and splashing into the heaping sack.